In collaboration with Luxembourg based architects WW+ we have been commissioned by the city of Luxembourg – Service Ouvrages d’Art, Génie Civil, Constructions – to develop a signage concept & design manual to implement a comprehensive new signage system across potentially 15 public parkings owned by the city ( starting with the parkings Knuedler & Neipperg). A challenging task considering that the buildings have very different layouts and circulation principles.
Our user-focused approach has been to establish a clear hierarchy of the information and to prioritise on the, more vulnerable, pedestrian user ( the driver / user outside the car). We separated the signage system for drivers & pedestrians for clarity and reduced the graphic interventions & colours to a strategic minimum to maximise their effectiveness. Our main aim was to make the spacial perception and the navigation within the space as intuitive as possible.
Floor level information consists of a range of carefully selected bright colours, in conjunction with illustrations and large scale numerals. They are only indicated on the exit stairs bloc, creating an intuitive ‘visual pull’ towards them.
Graphic design: Laurent Daubach
Exhibition program for the European Investment Bank (EIB) since 2007. Showcasing different departments within the EIB to communicate their work & process to the rest of the institution.
Graphic design: Arnaud Mouriamé
The national heritage agency in Luxembourg (Service des Sites et Monuments Nationaux ) has asked me to design & develop a bespoke information panel system for two distinct archeological sites. Both sites are unsupervised, which required a simple and robust solution against weathering effects and vandalism.
The steel support structures have been designed as light & unobstrusive as possible to integrate them visually into the sensitive archeological sites.
The information panels are manufactured in the northern Vosges region in France, famous for its glass manufacturing tradition. The panels are made from vitreous enamel in one of the only remaining vitreous enamel factories in Europe. This traditional technique, where the graphics are silkscreened on low carbon steel and fired at up to 850 C°, is extremly hard-wearing, UV stable and weathering proof.
Client: SSMN (Service des Sites et Monuments Nationaux)
En collaboration avec le CNRA (Centre National de Recherche Archéologique)
Graphic design: Arnaud Mouriamé
Further to my recent design & customisation project of the new bus shelter for the city of Luxembourg I have been asked to develop a graphic charta & system to integrate the city wide bus network into the existing Luxembourg city map. The political aim was to make the complex bus network more user-friendly and comprehensive for visitors that are not familiar with the network, thereby encouraging the use of public transport.
Together with the AVL (Luxembourg-city bus services) & graphic design company Monopolka we have developed a graphic charta with very constraint rules & guidelines to make both network and city map work well together.
As a base the city wanted to use a topographically accurate map (based on the local ordnance survey type map) as its used by all internal services and is updated automatically when changes are made anywhere within the city. Based on that system and with our graphic manual they are free to update their public transport map internally, without relying on external contractors and without disabling rights-of-use for the map.
Last but not least, unfortunately we didn’t have the opportunity to re-design the bus network diagram on the top left corner of the first image below. Something that has been of much debate in recent weeks in Luxembourg… But hey, it’s never too late.
Just finished a signage & wayfinding project for the Olympic Games of the Small Nations of Europe, held in Luxembourg this year. Very refreshing to work on a fast and short term project for a change. In collaboration with Luxembourg based Designbureau. Client: Comité Olympique et Sportif Luxembourgeois
Based on an existing JCD shelter designed by Norman Foster we fine-tuned & adapted the design in collaboration with the city and JCD to better fit todays user needs. Over 250 shelters will be installed / replaced the next couple of years across the city’s bus network.
With a user-centered approach the team developed a new back-lit independent totem that regroups a number of information that is easy to read, even from a distance. The same logic applies to the glass panel on the opposite side where we also re-grouped passenger information usually spread randomly all over the shelter.
Last but not least, in close collaboration with the city’s own topographical service and the graphic design agency Monopolka, we have designed a new map of the city with the entire bus network overlapping in a clear, geographically accurate and user-friendly design. More on this soon!
I can’t speak Catalan but this plate set into the paving in front of the long established Deli/Restaurant ‘Can Ravell’ in Barcelona says something like: ‘In the name of the City of Barcelona – in recognition to Ravell for its many years of service to the city’.
The plate seems to regroup many symbols of trade and craft and I suppose the City of Barcelona sets these plates in front of their most long serving, authentic and traditional businesses that make the city so special. What a great initiative! And the food was even better!!