Metalworks, designing & making
Within the framework of European Capital of Culture 2022, held in Esch-sur-Alzette (Luxembourg), I have curated and designed the exhibition ‘Metalworks, designing & making’ at the Konschthal in the city of Esch.
Esch was at the center of the European steel industry over the past hundred years or so and its heritage is shaped by the industry, offering an very poignant context to the exhibition subject.
For this project some forty contemporary design objects have been selected and divided into sixteen fabrication categories, each one of them exploring a particular method of processing metal.
Highlighting the diversity inherent to the material and the creative approaches, the different categories range from craft to high-tech. Each object has been carefully chosen for its intrinsic qualities and for its strong visual expression: They explicitly illustrate the manufacturing process by way of their form or finishing.
The exhibition illustrates how a material in combination with creativity and technical innovation lead to countless formal possibilities and encourage new exploration.
Participating designers:
Ron Arad, Ronan & Erwan Bouroullec, Destroyers/Builders, Christophe De la Fontaine ( Dante Goods and Bads), Tom Dixon, Konstantin Grcic, Thomas Heatherwick, Jakob Jørgensen, Xavier Lust, Sigve Knutson, Max Lamb, Joris Laarman Lab, Philippe Malouin, Muller van Severen, PELLE, Lewis Power, Maarten van Severen, Studio Swine, Jonas Trampedach, Danny Venlet, Michael Young, Oskar Zieta.
Additionally, the Konschthal has edited a book in conjunction with the exhibition, published by London based Sternberg Press and available here: sternberg-press.com/product/metalworks/
Curation, exhibition scenography & design: Georges Zigrand Design Consultancy
Co-curator: Charlotte Masse, Konschthal
Graphic design: Laurent Daubach / Designbureau
Signage & street furniture design
After developing a comprehensive urban signage and wayfinding concept for the Kirchberg area in Luxembourg-city, the scheme has now been implemented at all strategic locations & tram stations across the area.
The graphics, information and city map have been developed in compliance with stringent future accessibility guidelines and go way beyond the standards in terms of contrast and readability requirements.
The implementation and future changes of the map can be done independently by the client within their existing IT capabilities to ensure the high level of adaptations required for a fast changing urban area.
The overall concept consists of a system of bespoke designed elements, adapted to different urban scales and their context. The illustrated Morris column type street furniture is also bespoke and build in mostly untreated aluminium to enable the recycling of the raw material without additional treatments.
Client: Fonds Kirchberg, Luxembourg
Concept & design strategy: Georges Zigrand Design Consultancy
Graphic design: Laurent Daubach, Designbureau
Cast bronze signage
We have designed a new signage system to label the public space Art collection of the City of Luxembourg. The new system is based on a circular bronze cast that is mounted flush into the ground. The circular format allows for a much more flexible and non-aligned positioning in space, to fine-tune and orientate the information within pavings and to respond to often complex spatial environments. We wanted the signs to be visible enough for the urban stroller while not being too visible in the urban space. The Art collection being from different periods over the last 80 years our aim was also to make it look and feel like it has always been there, reflected in this traditional technique often used in public Art.
For the installation, only standard tools are required, using a common core drill with a standard width for fast and efficient implementation. Last but not least, the new signage is also reducing maintenance and de-cluttering the urban space.
Concept & product design: Georges Zigrand Design Consultancy
Graphics: Laurent Daubach / Designbureau
Client: Ville de Luxembourg, Coordination Culturelle
Castings: Fonderie Massard
mirror mirror, cultural reflections in fashion
mirror mirror, cultural reflections in fashion is a temporary exhibition at Mudam, Contemporary Art Museum of Luxembourg. It is showing the in-house fashion design collection acquired over the last 25 years. Some truly visionary pieces that have become iconic for its time.
We designed this exhibition in a space never before been fully used for this purpose due to its architectural presence, challenging light and lack of possibilities to fix or hang anything. We hijacked some architectural elements and played with the space to connect and oppose the different works. The display follows a fluid path of crossovers and intersections, reflecting the hybrid nature of these pieces and creating a dialogue between them.
Artists:
Hussein Chalayan
Helmut Lang
Martin Margiela
Hiroaki Ohya
Grit and Jerszy Seymour
Walter Van Beirendonck
Junya Watanabe
Bernhard Willhelm
Exhibition dates: 30 Oct 2021 – 24 Apr 2022
Collection: Mudam
Curator: Sarah Zigrand
Scenography: Georges Zigrand
You are here
After developing a comprehensive wayfinding concept for the Kirchberg area in Luxembourg-city, and a prototype at the Central Parc, we have now rolled-out the first module of our system at the Place de l’Europe. The overall concept consists of a family of modules adapted to different urban scales and their context. The implementation of the signage system across the area is planned over the coming 12 months.
Graphics, text and city map have been developed in compliance with stringent future accessibility guidelines and go way beyond the standards in terms of contrast and readability requirements.
Any future changes of the map can be done independently by the client within their existing IT capabilities to ensure the high level of adaptations required for a fast changing urban area.
Client: Fonds Kirchberg
Concept & design strategy: Georges Zigrand Design Consultancy
Graphic design: Laurent Daubach, Designbureau
Twist & turn
It started as a custom designed & developed LED standing light for the Chateau de Bourglinster, commissioned by the Ministry of Culture in Luxembourg. Now the project has developed into a series of products featuring dimmable and continuously rotating LED discs with bespoke electronics fitted to a CNC turned wooden stand.
Concept & design: Georges Zigrand Design Consultancy
Lighting engineering: integratedlight UK
Old meets new
In collaboration with the Service National des Sites et Monuments Nationaux we are re-designing the interiors of the Chateau de Bourglinster, on the outskirts of Luxembourg-city. Until the project is completed, here a little sneak preview showing a partial prototype test of a custom designed & developed LED standing light for the castle. The light will be dimmable and feature continuously rotating LED discs with bespoke electronics fitted to a CNC turned wooden stand.
Home sweet home
A recent interior design project, finding the right balance between old & new, vintage & contemporary design, in the quest of ageing gracefully…
Wiedersehen macht Freude
My deckchairs, fitted with a custom designed fabric which shows all the colours of the 28 EU member state flags proportionally ( see post ‘Work hard, play hard’ ), have re-surfaced this summer in the old town of Luxembourg City. A year after the Luxembourg Presidency of the European Council they have been distributed to several city centre sites and used as public space furniture over the summer months.
Unfortunately we might have to take some classic blue, red & white out for next year.
Graphics: Laurent Daubach
Romain Urhausen – a journey through space & time
In collaboration with the curator Marguy Conzémius from the CNA (Centre national de l’audiovisuel) and the London based graphic designer Melanie Mues, we have designed a retrospective exhibition of the luxembourgish photographer Romain Urhausen.
Romain Urhausen, born in 1930, has accumulated such an enormous bulk of work over his lifetime that one of the challenges was to fit a maximum of artworks into a rather challengingly small space. Furthermore, we thought that photographs, sculptures, inventions & design objects from the 50’s up to the 90’s deserve an analogue rather then a digital display solution. The visitor therefore is invited to discover in a hands-on and interactive way, a large number of artworks from the artist’s journey through space & time.
ROMAIN URHAUSEN – FOTOGRAF exhibition at the CNA Display 01 & 02 in Dudelange, open until 30.10.2016
Back to the stone age
The national heritage agency in Luxembourg (Service des Sites et Monuments Nationaux ) has asked me to design & develop a bespoke information panel system for two distinct archeological sites. Both sites are unsupervised, which required a simple and robust solution against weathering effects and vandalism.
The steel support structures have been designed as light & unobstrusive as possible to integrate them visually into the sensitive archeological sites.
The information panels are manufactured in the northern Vosges region in France, famous for its glass manufacturing tradition. The panels are made from vitreous enamel in one of the only remaining vitreous enamel factories in Europe. This traditional technique, where the graphics are silkscreened on low carbon steel and fired at up to 850 C°, is extremly hard-wearing, UV stable and weathering proof.
Client: SSMN (Service des Sites et Monuments Nationaux)
En collaboration avec le CNRA (Centre National de Recherche Archéologique)
Graphic design: Arnaud Mouriamé
Work hard, play hard
The third installation of my project for the Luxembourg Presidency of the European Council 2015 in the Atrium of the Justus Lipsius building in Brussels.
The idea of sitting together in a more sociable and friendly way, as one does between friends that work on a common project, is also the idea behind the installation in the Atrium of the Justus Lipsius building (see previous post ‘Presidency of the European Council design project – part 2’ ). The visitors are invited to claim the space and to move the deckchairs around by reconfiguring them as they wish.
The 28 deckchairs bring together in a proportionate yet abstract manner all the colours of the flags of the 28 Member States – by collecting & rejigging these colours into a new composition which was then printed onto the fabric in a ‘traditional stripey way’. Everybody will be able to find their ‘own’ specific colours within a collectif colour scheme.
The deckchairs also refer to the poetic image of time spent with family and friends, which for many Luxembourgers, means past holidays spent at the Belgian coast – a nod also to Belgium, the country with which Luxembourg has close links, and which houses the Council.
Client: Ministère de la Culture
Graphic artwork: Laurent Daubach
Presidency of the European Council design project – part 2
The Presidency campfire meeting room, for the Luxembourg presidency of the European Council
By analysing the usually conventional set-up of meeting rooms for diplomats & heads of state one thing becomes clear, there is always a certain distance between the individual seatings – not too close and yet not too far away from your interlocutor. On this occasion I was able to challenge this status quo by creating a space where everybody had to decide for himself how close he or she wants to sit in relation to their interlocutor (and how good a friend he or she really is).
The ‘campfire’ is a space for people that share a common project & a common cause. A place where you can sit all night talking to friends, sorting out differences and coming out with a stronger bond… even if that looks like a difficult thing to achieve at this moment in time.
Lego style outdoor furniture for the almost grown-ups
Conventional tables and chairs wouldn’t have worked that well for the terrasse of my local hangout. The cultural centre Carrérotondes in Luxembourg, with its concerts, exhibitions, kids theatres and parties required a flexible way of sitting (and drinking). The Lego principle gives plenty of options on how to configure the modules, leaving it up to the user and the moment to choose how to use them.
Materials: Custom designed male & female rubber connectors combined with water resistant low-cost plywood.
Photo © Sven Becker
The art of spinning
It seems you have to travel to central Paris to find somebody still able to master this craft! See also this short documentary showing the process: http://vimeo.com/85024259
Chop chop
Chopping bloc at the Drimos Taverne in Crete, made from a single tree trunk, blood red.
Max Planck Institute, Luxembourg
Some images of my latest interior & furniture design project for the new offices of the Max Planck Institute Luxembourg for International, European and Regulatory Procedural Law located in the Weicker Building in Luxembourg-city.
The building itself was designed by Richard Meier & Partners Architects, a building with a very specific formal identity. The challenge was to find a suitable visual language that fits the architecture and, at the same time, cover all the functionalities and representative needs required by this prestigious client – all of this within a framework of a EU wide open tender procedure. The result is a mix of products from high-end furniture manufacturers and a range of custom-designed objects to ensure a coherent visual language and quality throughout the building.
Developed in collaboration with Teisen-Giesler Architectes
Client: Max Planck Insitute Luxembourg
Office & library surface: 4500m2
Photos © Christian Mosar
Georges Zigrand Design Consultancy 
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